Tue., Feb. 9 2010 @ 2:53PM
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| All photos by Patrick Michels |
| Matt Nix, Code 58's writer and creator, with director Tim Matheson on the set this morning |
Like I said Sunday, we'll have much more about
Code 58 in the paper version of Unfair Park the closer we get to the series' debut on FOX. But this morning, I went back to Fair Park to visit with the series' creator, Matt Nix, and the first episode's director, Tim Matheson, who are one day from wrapping the premiere episode that'll introduce Bradley Whitford (Dan) and Colin Hanks (Jack) as mismatched Dallas Police officers whose routine-crimes beat is, of course, anything but routine.
Nix, creator of USA's
Burn Notice, has been writing and rewriting this series for kicks for almost a decade; it was initially set in Los Angeles, matter of fact, before FOX signed off on shooting and setting its initial 13-episode run in Dallas. I asked Nix how they settled here.
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| Bradley Whitford's Dan is a stuck-in-the-'70s Dallas cop -- hence, the mustache and various shades of brown clothing |
"Well, it was a bit of a process," he said. "Basically, the production model for the show is, it's like doing a cable show on a network. It's a cable budget, a cable run of 13 episodes, cable
everything except it happens to be broadcasting on FOX. Even in success, it can't go much beyond 13 episodes because Fair Park's only available part of the year. A [full season] 22-episode order would be too much for that. We could get it up to, like, 18.
"So you look for a city where you can shoot quick and cheap. FOX came up with a list of cities with tax incentives, the infrastructure. There are places with great tax incentives but no crews, and vice-versa. And once Dallas got on the list, I fought very hard for Dallas."
I ask him, Why Dallas?
"One thing was Fair Park," he said. "To say the city was film-friendly would be a wild understatement. Fair Park makes it possible to put so much more awesomeness on the screen it's not even funny. The other thing is, the look of Dallas. It's important it be a cosmopolitan enough city to justify a wide variety of crime. And, this is a throwback to the classic cop shows, and Dallas has the look of those shows. I kept saying to people, 'If we shoot this in the suburbs, it'll look wrong. We need power cables.'"