Zhulong Gallery Jeremy Couillard's "The Vicious Valley"
This year the Dallas art scene felt rebellious. While one museum exhibition paid homage to a wonderful Dallas-based painter, another had me wanting to commit acts of destruction. At galleries and other exhibitions, the work dripped with anarchy and frustration with the system -- a sentiment felt across the country, and one necessary for art to survive and thrive in a place. There were also a few compelling new media exhibitions (although still too few) in Dallas, and a gallery emerged dedicated to that contemporary art form. The energy of the underground art scene may seem patchy, with the slow collapse of Oliver Francis Galley, and the end of Deep Ellum Windows, and Ware:Wolf:Haus, but all in all it's easy to look back and see a pretty impressive year in review.