|Nathan Felix, left, works on editing his first symphony.|
Nathan Felix fell in love with orchestral music on the open road. The leader of Austin-based indie-pop band The Noise Revival Orchestra was just out of college and touring with a punk band when he found himself in a moment of musical exasperation. "One night I was just so furious," he explains, "I didn't want to hear anything from anybody, so I just switched on the local classical music station."
He was instantly hooked. It was the orchestration -- the arrangements of the sounds and how they were distributed among the instruments -- that grabbed his attention and held it. Soon, Felix decided he wanted to write his own symphony. Ignoring the fact that he is not a classically trained musician and had never composed for an orchestra before, he got to work, using textbooks to teach himself how to compose as he wrote the music. He composed during his free time late at night and on the weekends and didn't tell anyone what he was doing. It was "my little secret," he says.
The Curse and the Symphony, a new documentary screening at 1:30 p.m. Saturday at Bishop Arts Theatre, as part of the Oak Cliff Film Festival, uses Felix's music as both subject matter and soundtrack. In just 20 short minutes, the film traces Felix's often bumpy eight-year journey to not only create his first symphony, but also have it performed and recorded by an orchestra. Scenes of Felix shuffling through piles of rejection letters at the beginning of the film give insight into just how challenging it has been for an indie/punk guy to navigate the unfamiliar territory of the classical music world. More »