It's Settled: Dallas Needs Better Arts Criticism
After last week's hastily organized arts discussion with Mayor Mike, there was much to sift through: Do white men have the answers? Are artists, as the Mayor put it, really just "human capital"? How do we get artists to move here and stay here, and which ones do we thrown money at? There were moments of clarity on the panel, but no real radical ideas, and no real focus on the various art communities in Dallas. 
Left to right: Charissa Terranova, Charles Dee Mitchell, Peter Simek, Jerome Weeks, Frances Colpitt
See also:
How to Improve the Arts in Dallas: The Best Lessons from Mayor Rawlings' Symposium
One topic that merits revisiting, however, is the need for more criticism. It was tackled last week at CentralTrak, by KERA's Jerome Weeks; former Observer writer Charles Dee Mitchell; D Magazine's Peter Simek; Charissa Terranova, Assistant Professor of Aesthetic Studies at UTD; and Frances Colpitt, the Deedie Potter Rose Chair of Art History at TCU. Together, they attempted to answer a more specific question: What is art criticism in Texas, and do we need it?
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