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| Ponchaveli Design Group |
Man, I still get the same old tired line: Oh, you write for the Culture section? In Dallas? What Culture.
Yes, yes. We know. Dallas is no New York. Or, Paris. Or, hell, even Austin. I was just the same when I left here in back in 2006 with both barrels blazing and two middle fingers waving. But, then I realized something. Cities like Dallas, and you know what I mean, tend to foment rebellion. Her manicured nails and sky-high coif -- reaching gloriously to the heavens like a tribute to Reunion Tower -- inspire folks of a recalcitrant nature, giving us something to buck against. When I was living in Cambridge, Massachusetts, I was just another pinko lefty nerd drowning anonymously in a sea of my own kind. Back here, I'm that obnoxious pinko lefty asshole nerd, and if you're reading the Mixmaster, something tells me you might catch my drift.
But, for those still spitting jokes about the City sans Culture, after Saturday night, I've got to think that maybe you're just not paying attention. Underground 4, a mashup of everything art by 2011 MasterMinds finalist ArtLoveMagic, went down at the Janette Kennedy Gallery at South Side on Lamar, and it was worth every penny of the $15 cover charge. DJs were spinnin', artists were creatin' and patrons were drinkin'. It was loud, busy, bright and alive, and it was Dallas at her finest.
A yearly event, Underground presents emerging and established local artists working live, all to the tune of live bands, musicians and DJs, as well as spoken-word poets, dancers, and performance artists like the always-entertaining Circus Freaks. Our intrepid photog Taryn Walker snagged shots that are worth a thousand words, but if you've got time for about 500, we've got some observations of our own.
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