Mixmaster presents "100 Creatives," in which we feature cultural entrepreneurs of Dallas in random order. Know an artistic mind who deserves a little bit of blog love? Email firstname.lastname@example.org with the whos and whys.
The hyper-connected world we live in makes art and music from the far reaches of the globe easily accessible to everyone, but "for some reason, literature is the only art form that is constantly being made to defend the right to be disseminated and experienced outside of its original culture," observes Will Evans. And he aims to do something about that.
Of course there is a barrier to entry that doesn't exist in visual art or music - and that's language. Evans, who recently launched a small publishing house in Dallas he's calling Deep Vellum Publishing, is about to start doing his part to cross that barrier. This year Deep Vellum, which is functioning as a non-profit, will publish five original works in translation and he's already turning heads in the international publishing world.
We pride ourselves in Dallas on our burgeoning arts scene but as Evans sees it, we're missing a crucial segment of the art world by turning our back on the literary scene. So if you ask him well, why Dallas? There's your answer. The organizations and resources exist, the Writer's Garret and Wordspace, for example, we're just failing to capitalize and discuss what's already happening in our community.
"There's no reason not to have more of the type of local literary community that people could identify similarly to Minneapolis--a very similar city (far from the coasts, tons of big business) that is internationally recognized for its dynamic arts scene, including a huge literary arts community," says Evans of Dallas.
We couldn't agree more and while Evans is dreaming really big, he's already influencing the conversation. And he hasn't even published his first book.More »