Poor Kelly Clarkson Just Can't Catch A Break.

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Speaking of Kelly Clarkson: Burleson's own just can't seem to catch a break. After notoriously getting into a spat with Clive Davis and her record label over her last album, My December, Clarkson is again having it out with her label, claiming that she never really wanted her new single, "Already Gone" to be a part of her record, let along her new disc.

Preston Jones over at the Star-Telegram has been on top of this story since it broke on Monday, but here's the gyst of it: Ryan Tedder of OneRepublic, something of an in-demand producer these days (having produced a ton of hits, but, most notably, pretty much the entirety of the biggest hit on Leona Lewis' debut, Spirit), was commissioned to pen a song for Clarkson's new All I Ever Wanted album and came up with the song, "Already Gone." Trick is, according to Clarkson and everyone else with ears, it sounds a whole lot like a song Tedder produced for Beyonce: "Halo." (Compare the two tracks after the jump.)

Meaning what exactly? Probably nothing in the long-run. But, for now? Some serious drama. How so? Well, first, Clarkson told the CBC that she angrily called Tedder once she heard the similarities and chewed him out. Then she pretty much completely re-arranged the song for her Letterman performance of it. And today, reports Idolator, Tedder responded in a post on his blog that he had no clue what was happening with the situation--and then he took the post down, for whatever reason (but you can read the post if you click through that last link).

Dunno where this is gonna end up, but you gotta think this isn't gonna work out well for Tedder in the long run.

Update: Tedder releases an official statement on the matter.

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This Or That: The Jonas Brothers? Or Just Another Crappy Local Band?

Categories: This or That?


Alright, so this one's a trick question, admittedly. See, the JoBros are locals at this point, as this USA Today article from this morning so dutifully depicts.

But the above clip, which ran on Saturday Night Live last weekend is a pretty funny look at the Jonas Brothers as time travelers. Worth the watch, I'd say.

Anyway there's a reason why this week's installment of 
This or That isn't really a competition. Basically, this little feature seems to have run its course as a weekly segment. Don't get ahead of yourself, though: We'll still run it from time to time when an obvious conundrum presents itself. But between that iPhone app that figures out songs for you and, well, us not wanting to run this idea into the ground, we're gonna hold off on it for a bit.

So, that's that.

Oh, and for the answer to last week's query, jump with us...
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This Or That: New Midlake? Or Just Some Knockoff?

Categories: This or That?
Welcome to This or That, the weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?" Why? Because we don't think you'll be able to tell the difference between the real thing and the crappy, cheap knockoff.

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It's no joke that Denton's Midlake's something of a big deal beyond the limits of North Texas. It's also no joke that the band's sound is heavily influenced by '70s soft rock of Fleetwood Mac, America and Bread--which is OK, well, because, on its 2006 breakout album The Trials of Van Occupanther, the band did those influences fine justice.

So it should come as no surprise then that Midlake's next record, The Courage of Others, is a hotly anticipated commodity; in the current issue of Under The Radar, the album is named as one of the magazine's most anticipated albums of 2009. It's right up there for us in DC9 HQ, too, alongside upcoming releases from fellow locals The Paper Chase and Damaged Good$. But, anyway, I digress.

As Midlake's members told Stereogum in November, things ain't moving too quickly in its Denton studio. But, still, they are moving. Last we heard, the band was about four songs deep into the record's completion. And then a friend of DC9 passed along this track...



...which we figured was enough to swap the general idea of this little feature around for a week. Instead of asking if this is a national band or its crappy local knockoff, this week's question is reversed: Is this a new, leaked Midlake track? Or just another band from God-knows-where, trying to capture Midlake's sound?

Guess away in the comments. And for the answer to last week's query, hit the jump.
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This Or That: Metro Station? Or Just Another Crappy Local Band?

Categories: This or That?
Welcome to This or That, the weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?"

Why? Because we don't think you'll be able to tell the difference between the real thing and the crappy, cheap knockoff.


Metro Station.jpg

[Editor's Note: Before we get started this week, an apology: I've been really bad about remembering to do this lately, and I know there are a bunch of readers who get a kick out of it, so... my bad. Won't happen again. Until, y'know, it does.]

If you don't recognize the name Metro Station (pictured above), that's fine. No one's gonna come after you with torches or anything. Well, no one except for delusional Miley Cyrus fans, as, yep, Metro Station just happens fronted by the tween superstar's older broseph, Trace.

But there's more to Metro Station than just that, actually; the band scored a big-time Top 40 radio hit with the admittedly kinda-catchy tune "Shake It" in 2008--even before most people made the Cyrus last name connection. And chances are you've likely heard the song before--if not on the radio, in dance clubs or in the gym or at the mall or...well, wherever, really. Point is, it's been all over. And the band's follow-up single, "Seventeen Forever" has even had some moderate success, too.

So, the question this week, dear Guessers: Is this week's track a deep cut from the band's self-titled debut release, and maybe a potential candidate for a future radio single down the line? Or is this just the work of any number of local band's striving for the same sound?

You be the judge...


As always, post your best guesses in the comments section, and we'll review the answer next week (promise!). Meanwhile for those of you still pondering the answer to the last This or That game, well, you'll just have to jump for the Big Reveal...

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This or That: The All-American Rejects? Or Just Another Crappy Local Band?

Categories: This or That?
Welcome to This or That, the weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?"

Why? Because we don't think you'll be able to tell the difference between the real thing and the crappy, cheap knockoff.

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Angst, angst, more angst, bitterness, drama and frontmen who become stars of such surefire Hollywood classics as The House Bunny: The formula behind the All-American Rejects' mainstream pop and rock format radio success is pretty simple.

But, aside from the pretty much formulaic--and wildly popular--first single off the band's latest release, When The World Comes Down, the band gets downright experimental on this release. Well, for them at least. Which is to say maybe not that experimental at all.

So, the question this week: Is this track one of the Oklahoma band's more out-of-the-norm attempts? Or is just a crappy local band that maybe only sounds like the Rejects because tis singer has the same range?

You tell us...


Guess away in the comments section, and we'll reveal the answer at some point next week. Meanwhile, if you're still trying to figure out if last week's This or That was 311 or just some crappy local band, well, you're gonna have to jump to find out the answer...

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This or That: 311? Or Just Another Crappy Local Band?

Categories: This or That?
Welcome to This or That, the weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?"

Why? Because we don't think you'll be able to tell the difference between the real thing and the crappy, cheap knockoff.


311logo.jpgSummery sounds, a Jamaican influence, just a hint of rock 'n' roll... It's all so familiar. So 311-y.

So is it? Is the track streamed below an old cut from a forgotten 311 disc? Or is this just the type of music can expect to hear around town on a given night?

You tell us...



Is this 311? Or just another crappy local band? And if the latter, which crappy local band? Let us know in the comments...

Also, for those of you patiently awaiting the results of the last time we did this (Four weeks ago? Really? That long?), well, the answer to that query's after the jump...

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This or That: Nickelback? Or Just Another Crappy Local Band?

Categories: This or That?
Welcome to This or That, a weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?" Why? Because we don't think you'll be able to tell the difference between the real thing and the crappier, cheaper knockoff.

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Since exploding onto the pop radio scene with "How You Remind Me" way back in 2005, Nickelback has, for better or worse (but more likely the latter), been the biggest band in America. And with the release of Dark Horses, the band's latest full-length, on November 18, there's really no reason to believe that middle Americans won't continue to eat up the Canadian band's middle of the road post-grunge rock. So it's no wonder, then, that we continue to see swarms and swarms of likeminded acts popping up on national radio (Daughtry) and even at venues in our own backyard (Curtain Club, Firewater).

Which brings us to this week's stream...



..and this week's question: Is this a new, deep cut off Nickelback's Dark Horses? Or just a crappy area pretender? And if the latter, which crappy area pretender is it?

(And, after the jump, the answer to last week's query.)

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This or That: Augustana? Or Just Another Crappy Local Band?

Categories: This or That?
Welcome to This or That, a weekly segment here on DC9 where we stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?" Why? Because we don't think you'll be able to tell the difference between the real thing and the crappier, cheaper knockoff.

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San Diego's Augustana might not exactly be a household name per se, but the band's song "Boston", which put Augustana on the map, just might be--the band apparently sold over 1,000,000 singles of the track (likely individual iTunes downloads, but still...). So, why does it sell? Well, because it boasts an instantly recognizable melody. And because even soccer moms who watch Grey's Anatomy and Desperate Housewives need a curveball from their steady diets of The Fray and Ingrid Michaelson every now and then, too, dammit.

Anyway, all that brings us to this week's unmarked song...



...and this week's question: Is this a new single from Augustana, whose latest effort was released in late April, or is it just another crappy local band? And, if it's the latter, who is it?

(After the jump, the answer to last week's query.)

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This or That: Maroon 5? Or Just Another Crappy Local Band?

Categories: This or That?

Welcome to This or That, a new weekly segment here on DC9 where we'll stream an unmarked song and ask, simply enough, "Is this [POP BAND X] or just another crappy local band?" Why? Because we don't think you'll be able to tell the difference between the real thing and the crappy, cheap knockoff.

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Los Angeles' Maroon 5 has been something of a pop radio force, for better or worse, for the past couple of years, thanks to semi-hard rock- and funk-influenced licks backing frontman Adam Levine's falsetto coo. It works largely because, well, the ladies love it. So, no surprise here, the band's inspired its fair share of knockoffs hoping to similarly make it big--even in our own backyard!

Which brings us to this week's song...



...and this week's question: Maroon 5 or just another crappy local band? And, if the latter, who is it? --Pete Freedman

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