Triple Play Round Two: Whiskey Folk Ramblers, Salim Nourallah and Jessie Frye

Categories: Gig Alert

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Jessie Frye
​The second installment of the Observer and KXT's monthly Triple Play series goes down next Thursday, February 16. You know the drill, right? Three emerging acts from Dallas, Fort Worth and Denton converge at the Kessler to spin some golden tunes and get on your radar.

We posted about Fort Worth's Whiskey Folk Ramblers earlier this week, spotlighting their Daytrotter session and new Deadwood-ish video for "Gambling Preacher and His Daughter." Dallas producer about town Salim Nourallah will no doubt be playing some tracks from his upcoming LP, Hit Parade. And Denton's Jessie Frye brings some fireworks of her own. Hopefully we'll see a full-length from her this year.

Preview of Saturday's Beat Factory, Plus Juicy the Emissary Gives a Beat Class

Categories: Gig Alert

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​This Saturday night at 2826 Arnetic, The Beat Factory takes five hip-hop producers/electronic artists out of the studio and lets them work their magic live. It's a stacked lineup, featuring Denton's Juicy the Emissary, Dallas' Datahowler, Remode and Slago, and Austin's Boom Baptist, with turntable work by Yeahdef and Danjah One. If you've ever wondered how a producer weaves a beat or sample into a song, you can see it happen before your eyes.

Juicy the Emissary has a new album out, Cultural Refugee, so as a preview I asked him to give one of his Beat Classes, explaining the genesis of samples from his new album.

"Lasted Forever"
Samples "Morning Song" by The Clang Association, an artist from Denton who married a family friend of mine. Were that not the case, I'm sure I would never have been exposed to his work. When I contacted him in search of an email address to start a dialogue, I learned he doesn't have a computer. "Morning Song" has a gloomy, dreamy vibe to it with long, hanging organ and synth chords, and a descending melancholy melody that seems to want to make its way back up, but gets caught in a loop, with airy, dragging vocals on top singing, "I thought a dream lasted forever, lasted forever ..." When I realized how fitting it was to the theme of Cultural Refugee, I knew exactly how the album was gonna start.

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Battle Bots: Ishi and More Throw Elbows at Tonight's Waka Winter Classic

Categories: Gig Alert

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Ishi
​The Wakarusa Winter Classic is a traveling battle of the bands, spanning 17 cities in the Midwest and South. Six groups play Dallas' competition tonight at 2826 Arnetic, and votes from the crowd ultimately decide the winner. Winning bands earn a spot on Wakarusa's lineup, which features Avett Brothers, Fitz & the Tantrums, RJD2 and more.

Here is your formal introduction to Friday night's bill. Let's get ready to rumble!

We the Sea Lions (The Outsider)
This quintet calls Fort Worth home, and they've cultivated a dedicated fan base and earned a recurring spot on the stage at The Grotto. 2011's pop-rock debut EP, For Now, produced by Stuart Sikes, paves the way for their debut LP.

Goodnight Ned (The Sleeper)
Founded by a guy in Denton with a couch and a guy who slept on that couch, Goodnight Ned has since added a violin, bass and drums, progressing from folk to gritty blues and rock and roll.

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Ain't No Party Like a Flashlight Party

Categories: Gig Alert

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​Word on the street is El Sibil's monthly parties are a "must-see" event and that the last one was "epic." With that in mind, tomorrow night you'll basically be in the dark -- hence the need to bring a flashlight -- at the Oak Cliff studio space.

You'll also be able to illuminate three local dance-worthy bands: Analog Rebellion, Mystery Skulls, and Ocelot. $10 for entry, and the show will be recorded, so wear your most flashlight-worthy duds.

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El Sibil

Gig Alert: John Waite at Glass Cactus

Categories: Gig Alert

During the late '70's, FM radio was at a definite low point. Hell, that's why punk came along in the first place. Every once in a while, a song would come across the airwaves that reminded folks of the pure joy of power pop.

"Isn't it Time" and "Everytime I Think of You" from The Babys were two such examples. Powered along by the always steady vocals of John Waite, the songs of The Babys were the perfect antidote for the sickness brought on by the bombast of likes of ELP, Yes and Rush.

And Waite was hardly finished when The Babys decided to call it quits in 1980 (a few days after John Lennon was murdered).

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Come See Reverend Horton Heat at Trees Tomorrow, and Hey, Bring Canned Things

Categories: Gig Alert
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File this under Shows You Should Totally See Because It's For A Really Good Cause and Stuff...

Wednesday, November 23, at Trees, the good ol' Texans Reverend Horton Heat are performing, with Sawd Off Sick and Missile, for a special "Thanks For Giving" Concert.

The good-cause-part: the proceeds are totally going to North Texas Food Bank, and you can dodge that ten dollar ticket  by bringing some awesome canned foods.

So, yeah, before you make the epic journey home to the Land of Turkeyducklambstuffingsauce just make sure you stop by Trees. Hell, if your flight's delayed tonight because of rain, spend the layover in Trees (sounds a lot like an indie film). Or, just drop off some canned goods. You know you have some rattling around in the pantry.

And thanks for giving. See you there?

Radiohead Coming to Dallas March 2012, But Don't Expect The Hits

Categories: Gig Alert
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Not sure why, but fireworks always come to mind when imagining Radiohead. It could be the way the end of "Let Down," from OK Computer, sounds like scattering and streaming embers.

Anyway, the point is: the fireworks are coming to Dallas. According to their website, Radiohead will be at the American Airlines Center on March 5, 2012. The American Airlines Center is an apt choice, considering their recent announcement on Pitchfork to "play spaces where the music is loud, strong and detailed." And, from the same post, don't expect a greatest hits set list:

I think the important thing is that it's got to be a set in itself, it's got to work. Last time we went out, it felt very much like In Rainbows plus the greatest hits. And it's not going to be like that this time. I guess it's going to be predominantly from this record and the last record, and then see which songs fit around that.
The tickets go on sale on November 9. If you've ever tried to buy Radiohead tickets, you know they disappear sooner than you can imagine in your wildest dreams. Jesus has trouble buying to tickets to Radiohead (He also hates Ticketmater convenience fees and waiting times).

So, there it is. Go forth and Radiohead on November 9.

Update, November 9: Looks like tickets sold out at sneeze speed. According to Ticketmaster, general sale's on 11/12/2011, 10:00 a.m. Move fast..

Spillover: ACL Festival Artists Booked to Perform Shows in North Texas This Week

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There are a good many reasons to skip this year's installment of Austin City Limits Music Festival down in Austin.

For starters, the weather is supposed to sunny with a high of 98 degrees on all three days. in a giant field with no air conditioning, teeming with thousands of warm bodies, it won't take long to feel pretty miserable -- especially when the closest spot for the show you wanted to see most is about 200 feet from the stage.

Oh, and there's the issue of the ticket cost, which comes in at a cool $90 for a single day pass.

But, if you can overlook those minor discrepancies, there's a major upside: It's going to be so awesome! Lots of like-minded folks there to see an impressive lineup of bands! Togetherness!

But, hey, some of you curmudgeons can't stand the heat or afford the ticket. You'll spend the weekend doing your usual weekend things.

Don't fret if that describes you; all is not lost. You can still see a good selection of those ACL-bound bands right here in town. Big names, too. We went ahead and compiled a list of them for you -- y'know, so you can have your own ACL-like weekend closer to home -- and you can find that list after the jump.

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So Sad About Them: Roger Daltrey's Coming to Perform Tommy. Without Pete Townshend.

Categories: Gig Alert
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I received a press release yesterday about which I have enormously mixed emotions. Because on the one hand, The Who is my Favorite Rock and Roll Band of All Time, precariously perched just one rung above The Clash. I've experienced The Who in myriad iterations -- at Reunion in the summer of '80, during its last-gasp farewell in '82, while covering that big-money comeback but a few years later and several shows after that, the most recent being the 2000 show, once more, at Reunion, witnessed from the third row. I recall my wife was particularly impressed by the well-preserved state of Roger Daltrey's abdomen.

No matter the setting, no matter the lineup, no matter the set list, I never left feeling broken-hearted or betrayed. That's how it is with your favorite band, though, isn't it? They can do no wrong, even if sometimes it doesn't feel quite right. Except...

There was the one night in the summer of 1998 when I thought we were through, The Who and I -- well, Daltrey, anyway. He pulled into the Bronco Bowl on August 1, 1998, with something called The British Rock Symphony, a massive orchestra consisting mostly of young musicians performing classic rock hits of the '60s and '70s. It was a benefit tour, on behalf of VH1's Save the Music. Daltrey told me beforehand he didn't want to do it, that he was guilted into it.

I rounded up a few folks to see the show -- some local musicians and writer pals. We got there during "A White Shade of Pale." There were maybe a couple hundred people scattered around a room that held around 3,500. It was hard to tell through the blinding laser-light show and choking clouds of smoke. We stuck around long enough to hear a few Who tunes, which sounded anemic without Pete Townshend and John Entwistle to give them spark and muscle. We fled to the Sonic, our love affair with those songs ended, if only for the moment. I reminded one of my ride-alongs last night of the concert; he said he'd tried to erase it from his memory.

Which I mention only because of that press release: On Thursday, you will be able to purchase tickets for Roger Daltrey's return -- to the Verizon Theatre on October 12, when he will perform, in its entirety, Tommy, which has been resurrected more times than Krishna. Simon Townshend will be there. Pete will not. He says he's on-board: "I will be there in spirit. Roger has my complete and most loving support. Roger is touring his unique concert version of Tommy using his faithful presentation of the original work as the backbone for a set of wider material. It is wonderful to hear the way Roger and his new band re-interpret the old Who songs."

I can't imagine. Maybe when Rog was in his heyday -- when the high notes weren't in another room, far out of reach. But not today. And not without Pete. I don't wanna go. I probably will. Is there a Sonic nearby?

But that's months off. Let's look back as we move ahead -- all the way to July 23, 1967, when a band from England came to Dallas to play Memorial Auditorium downtown. I cannot find the keeper version, but someone has posted to YouTube the entirety of The Who's nine-song show from that summer's night -- from "Substitute" to "My Generation," recorded long before they got old.

Jump, but mind the feedback.

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Keith Urban Fans Unite! At West Village. Tonight.

Categories: Gig Alert
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You may already know about Australian country music star Keith Urban's upcoming Thanksgiving Day performance with the Dallas Cowboys, which kicks off of the 2010 Salvation Army Red Kettle Campaign.

Apparently, it's supposed to get quite brisk tomorrow. Tonight, however, should be nice and balmy--which is good because that's when Urban is scheduled to wow fans in the West Village--For free. And this tweet from Keith Urban moments ago:

3699 McKinney Ave, Dallas, TX 75204. This event is free of charge, and it's first come, first serve!

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