Should I Quit My Day Job and Do My Band Full-Time?
Are you a musician? Is your group having issues? Ask Fan Landers! Critic Jessica Hopper has played in and managed bands, toured internationally, booked shows, produced records, worked as a publicist and is the author of The Girls' Guide to Rocking, a how-to for teen ladies. She is here to help you stop doing it wrong. Send your problems to her -- confidentiality is assured, unless you want to use your drama as a ticket to Internet microfame.
I am a songwriter and have been in DIY/punk bands for the past ten years. It was never how I was trying to make a living, it was my central creative focus. My first band was self sustaining and made money on tour, but the money went back into the band fund and never to pay our rents.
After a bit of a break from band-time-all-the-time, I have regrouped and my group is about to tour and to release a record on an awesome DIY/indie label that has been nothing but supportive and has recently put out bands that are doing well on a national and international level. I've been encouraged (unsolicited!) by both the people running the label and many other friends to "go for it," and really pursue my music independent of a long-term day job.
I would love more than anything to do that, but previously it didn't feel in the cards. If I'm ever going to dive in and tour all the time and support myself through music, the time is now. So my question is, as someone who isn't getting any younger (I'm almost 30) and is tired of living paycheck to paycheck, what are the best ways to commit full-time to making music responsibly, both emotionally and financially? Are there major differences to managing what is ostensibly a solo career versus a band where everyone has equal creative investment? My concern in starting out on solid footing and not just winging it.
I can't picture myself not playing music and am confident in my ability to make a go of it. But we all have bills to pay and I feel like I'm missing a piece of the music business puzzle to keep both my band and my sanity.
Conflicted in Brooklyn
There is no secret recipe of how to make a living doing this, even though it often seems like if you take a particular path and get those Best New Music stars to align--et voila, you can pay you rent and not be dumpstering your meals. The people I know at your level who are making a living are making a rough living: odd jobbing between tours, living in a room in a punk house that they sublet the nine months a year while they are on tour. I imagine you've already lived that existence a bit and that's where your reluctance comes from.
If your label is encouraging you to "go for it", meet with them and say you really want to "go for it" -- it would be useful to outline for yourself and them what that really means --and ask what they can do to support your efforts. Can they hire a publicist who is great at tour press, can they help get you a booking agent, could they have another one of the hard-touring bands on the label take you out as support? The label is in a good position to help you, as their recent track record means that people have their eyes and ears peeled for what is the next thing. You may want to consider management--even someone to help you strategize how to make the most of the push you need to give this record.
How to do it...