Why KERA's Jeff Whittington Took a Break From Music, and Why He Came Back

Categories: Interviews

Courtesy of Jeff Whittington
Jeff Whittington does not work on the most musically inclined part of your radio dial. Yet the executive producer of KERA's Think with Krys Boyd and host of the long running Anything You Ever Wanted to Know, a concept started by the late Glenn Mitchell with whom Whittington worked as a producer for several years, has an impressive history of musicianship and songwriting that started in his childhood, took him on the road with bands like Deep Blue Something and The Hundred Inevitables and recently led to the release of his first solo album produced by Grammy winner Stuart Sikes.

Whittington spoke to DC9 at Night before his upcoming "Patio Sessions" performance tonight at Sammons Park about juggling the busy life of a public radio producer with a music career, the topicality of his lyrics and how to write songs while trail running.

I imagine the two aren't completely different but when people learn that you're a public radio host and a musician, what kind of reaction do you normally get?

You know, the lead guy in OK Go (Damian Kulash) is a former producer at WBEZ in Chicago and they kind of got their start with Ira Glass supporting them. So it's not really outside of the ball park, but it's weird because my career in journalism and public broadcasting has been so completely separate from the music thing.

I went to the University of North Texas and I graduated with a media degree and an English degree. I was in bands for a long, long time. I toured a bunch. Then I decided to get serious about a career and went to work for public radio.

Was the music career not working?

I was looking for a job and I loved public radio. I had a singular experience with public radio in 1995 when the prime minister of Israel was assassinated. I was listening to public radio, I think I was somewhere in Iowa, on the road with this band I was in at the time. I heard the coverage and listened to it while we were traveling between gigs and I just said to myself, "Someday if I have to get a real job, I want to work in public radio."

So then, I went to work at KERA. I planned events for a couple of years. I was a pledge drive producer for a number of years before I started producing the midday show with Glenn Mitchell. I feel like it's one of those stories where if you hang around long enough and you're at the right place at the right time because I didn't really set out to be in journalism or to be in broadcasting but it just kind of ended up that way. I also never stopped writing music. I've been a musician my whole life. I felt like it was time to make a record a couple of years ago. So I got together with [producer] Stuart Sikes and started working on this record.

What made you decide it was time to do a record?

I had like 20 songs and I've been working on music with some other guys. We had a band called the Hundred Inevitables and we might still get a record out in the next year or so. We had a record that Stuart Sikes also produced. That record has kind of been sitting on the shelf for about a decade. So working with him was great and really manageable for me. It is kind of weird that I have the people who know me as the guy at the radio station and then the people that are like, "Oh yeah, that was the guy who was in all those bands."

So I guess people are starting to figure it out. This record came out in July, and it's gotten a pretty good reception. We're playing a little bit here and there and we're really excited to do this show [tonight].


How varied were the bands that you played in? Was there one that was out of the ordinary from the rest?

It always has been pretty much straight-ahead guitar pop. This record was a lot of instrumentation with a lot of organ and piano and stuff like that. I don't play that stuff live. I play guitar and sing live and we're probably going to add a keyboard player at some point but it's pretty scaled down. For me, it's always been about the song and whether it's Adam's Farm in the 90s and those records and we put several records out and the Hundred Inevitables was a little different because Toby Pipes (now with Little Black Dress) and I co-wrote almost everything, probably about 80 percent of the music we co-music, which was great. It was really fun and it's so much fun to co-write music because you can really support each other and amplify each other's good ideas. It really made it hard for me, doing that for a number of years and writing songs with Toby. It was so easy that it made it hard to finish songs. That for me as I've gotten older has become a challenge.

This record really was kind of that. There are songs on this record that are brand new and by brand new, that means from this decade. Then there are literally songs on this record that I always wanted to record but just never got it done and that when we started making the record were already over 10 years old. So I was really excited to finish the record.

As for the songs whether they are older or newer, I found myself writing a lot about big issues like climate change and changes to society in this record. I can't deny it when the first song has the words "carbon sequestration" in it. I think it's important that people talk about it. I don't have an opinion about the issues as a person with my day job because my job is deliver information but I do believe as a person who writes music and a person who writes that it's important for people to think about these things. There are things that I've always written about like personal loss or dealing with our ultimate demise or the ultimate death, so that's in there too. There's some loss and some disappointment in there and some struggle in there but I'm really proud of the pieces that are about what we as people are responsible for.

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