Edward Sharpe & The Magnetic Zeros' Christian Letts on Antiquing and Marcus Mumford
Courtesy of BB Gun Press
Of course, it's too narrow a description for the freewheeling folk rock group. Their shows are a sound wave of unplanned set lists that move to the mood of the crowd and each other, and they are always on the hunt for weird and interesting places to play, such as the Old Vic Tunnels in London. This October, they'll host a traveling circus-themed art and music festival called Big Top that will be held in an actual circus tent. Meanwhile, the group is in town tonight for a show at the South Side Ballroom.
Singer, songwriter and guitarist Christian Letts took some time out of his antique shopping addiction during a stop in Austin to talk to DC9 at Night about the group's new album, their love of playing in unconventional settings and how a band with nine members organizes a live show on the spot without a predetermined set list.
So I don't mean this to sound weird but after reading through other interviews and reviews, I noticed the term "hippie" gets thrown around a lot. Are y'all cool with that?
It's fine. I don't associate myself to be that and I don't understand this need to box us in general, like this is this and that is that. I don't think it allows for growth, but I usually associate it to being a pretty nice person, a happy person and a positive person. [Front man] Alex said it the best, "Optimistic people seem to be called hippies." So, it's all good, whatever. I wouldn't necessarily call myself that but you know, we're singing about things like love, patience and forgiveness. So I guess that's the only place they can really put us.
I didn't mean that to sound like a blanket term. That's not what everyone is saying. I just thought it was an odd categorization that kept coming up.
Yeah, it's all good man. It's definitely what we've fallen into but there was no intention of that. From the beginning, we just wanted to do something as honest as we could and that's where it ended up. It wasn't like, "Well, let's just be this hippie band." Everything was just out there because we needed a lot of people to pull this off because we want a real sound. We don't want to rely on synthesized shit and programming. We wanted to be as loud as possible and with a big group, then the hippie cult thing came up as well [laughs] because there's bloody loads of us. So it's just the way the cards fell.
So in addition to the tour, you're also about to play Big Top, some kind of circus concert show in October. With your group, it seems you go out of your way to find more interesting venues to play.
For sure. I think it's really important of us.
Why is that?
You get used to playing venues over and over again. We wanted to break through and ask "What else can we do with this?" There's more that can be done. There's this tunnel we did in London, the Old Vic Tunnels. It was such a cool experience and it was so different from anything else we've done. I think it really affected all of us a lot. We did five nights in a row but we were never bored. So it was like this is fucking great. What else can we do? Then we did the train tour with Mumford and Sons and the Old Crow Medicine Show. That was something nobody's done in a long time and it was like a dream of ours. Our manager brought it up and we said we'd love to do it but we didn't think we'd ever be able to actually do it though. So I think it made us hungry to keep pushing the envelope and keep trying to find new ways to express things.