Casey Di Iorio's Recording Credits Include The Polyphonic Spree, Bowling for Soup and More

Will Von Bolton
For over a decade now, Casey Di lorio's musician colleagues have asked him for help making a record. Nowadays, it's the basket he puts all of his creative eggs into, at his own Valve Studios.

Di Iorio played in One Ton Records-signed rock outfit Valve back in the day, who had quite the fun run around the turn of the millennium. Now married, a new father, and owner of a recording studio named after his former band, he seems busier than he ever was as a young touring local music rockstar. He's been producing, engineering, and even playing a little here and there on new music from artists like Dylan Silvers' (DARYL, The Crash That Took Me) new project These Machines Are Winning, Polyphonic Spree and, going back further, tons of stuff by Here Holy Spain and Bowling For Soup.

Valve, the band, started in 1997. Correct? When did that band's window start to close?

Indeed. We were doing pretty well in college radio in 2001. And the girl that booked Nada Surf helped us set up our first tour up into the northeast, into New York and to play CMJ. Then, two days before leaving, 9-11 happened. Everything was canceled. That's probably around when we peaked....we kept playing for a little while into the next year...and we were looked at a few times during SXSW...but nothing panned out and we lost our momentum.

And did the idea to carry on the name, in the form of a studio, come right away?

Yeah, I was actually calling the studio Valve while we were playing....somewhat out of laziness for a name...and somewhat that it seemed to work. I actually never set out on paper to make a and my first drummer Lance moved into the space to live and rehearse while we were touring etc. I just started recording...buying gear...and kept getting asked to make records.

Late 90's was a fun time in Dallas music,yes? The One-Ton-fueled scene of rock bands, etc. was a great time. Tony Edwards from One Ton was one of the biggest supporters of local music...his energy was contagious. At that time, I would just go to Deep Ellum and watch shows...I was lucky enough to get into most places so you could just go from from club to club and catch everyone's'd be at Tress then Orbit Room then Gypsy Tea Room or Dada all in one night. It was great.

Tony is still a whirlwind of support and enthusiasm! Do you have DFW favorites from back in the heyday?

There's many. But, from back in that time period, a couple things that are stuck in my brain are that last record. Peter Schmidt I owe one to! While he was recording his solo record with Matt Pence at my practice space in Denton, he left some Guided by Voices discs. I had never heard 'em. 10 years later I had Doug Gillard from GBV here at the studio which was amazing. I have fond memories of the early Centro-matic shows up in Denton. "Fidgeting Wildly" off Redo the Stacks is still an amazing song. James Hall performing at the Dark Room in Dallas were special shows. His vocals and performance in that small of a venue was unbelievable. The Flaming Lips show at Trees with the hundreds of Xmas lights was one of my top 5 club shows...watched that one from the sound booth with James. Was packed. And Dylan Silvers' bands I've always been a fan of and lucky enough to produce some of the records... from Daryl to The Crash That Took Me and now These Machines are Winning. "Julianne" is a great song.

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