Justin Timberlake and Kanye West's Feud And Avoiding Famous-Guy Backlash

Categories: DFW Music News

justintimberlake1.jpg
It's gonna be him.
The foundation of Justin Timberlake's fame--broad-based and consistent and weirdly resistant to automatic internet backlash--is that it came, originally, from looking this ridiculous, and he seems to accept that. That's the only thing I can come up with to explain just how many people I heard talking about his appearance on Saturday Night Live over the weekend. People I hadn't seen since high school showed up unannounced on my Facebook news feed, anticipating it; friends took the opportunity to remind me that they didn't own TVs but kind of wanted to see it; my mom DVR'd it.

People like Justin Timberlake because he is a cool musician who realizes he was not always cool. On SNL he de-escalated one of the least-threatening music beefs of the last 20 years by casually responding to Kanye West's public distaste for "Suit and Tie." That he dismissed a 10-minute freestyle-rap diss with two jokey lines is exactly the sort of thing that makes Kanye West furious enough to write 10-minute freestyle-rap disses. It's exactly what makes Justin Timberlake beloved and Kanye West a cartoon character.

Full disclosure: I prefer Kanye West to Justin Timberlake, and have since The College Dropout. I've got a soft spot for "Suit and Tie," but Kanye's been a remarkably inventive rapper and producer across five (and change) albums, and while I might prefer "Heard 'Em Say" to "Monster" it's to his credit that the same guy created both of them.

And it's not that Justin Timberlake hasn't embarrassed himself in the past, at least in front of those of us who were unfortunate enough to watch Alpha Dog.

But what Justin Timberlake has never done--and yes, I'm oversimplifying here, because he also hasn't called a president racist, or interrupted Taylor Swift, or otherwise looked like a lunatic on TV--is labor in front of us. That's why SNL is his medium. SNL is written and rehearsed meticulously by people who forego sleep and fame to build a better Obama joke, but it only works when it looks like the actors are coming up with things on the spot, casually, like they've just thought of something funny.

Here is Kanye West trying to act casual, and spur-of-the-moment, and unlabored:

It doesn't work. He looks like he's spent three weeks holed up in a Method workshop, trying to become Jay-Z's handsy younger brother. Justin Timberlake can make goofy songs with Andy Samberg and perform them while staying in on the joke; Kanye West only looks comfortable when he's committing fully to having sex with a bird-lady, or appearing in a live-action Akira, or being decapitated.

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5 comments
crimjunkie
crimjunkie

Au contraire.  The Beach Boys Love You is a great fucking album.

janet260
janet260

Please tell me you didn't put Kanye West in the same category as Brian Wilson. What is this world coming to?

janet260
janet260

Please tell me you didn't put Kanye West in the same category as Brian Wilson. What is this world coming to?

danup
danup

@crimjunkie Agreed; I set them down as examples of excess because I think that's what they are, but I actually like Invincible, too—in both cases I think the artist's genius is apparent even as they collapse inward on themselves. (I think Kanye's last album is more successful relative to his other work than Love You/Invincible are relative to, say, Today! and Thriller, but it's also suffering from the same problem.)

danup
danup

@janet260 I'm an enormous fan of Brian Wilson, but I don't think it's a stretch to say that Kanye West is operating within the same outsidery, maximalist-pop tradition. 

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