The Moody Blues' Justin Hayward On Selling 70 Million Albums, Staying Together For 40 Years

Categories: Interviews
For four decades, The Moody Blues have served as the forefathers of the classical music and rock 'n' roll fusion.

Beginning in 1967 with the release of the album Days of Future Passed and the single "Nights in White Satin," The Moody Blues essentially ushered in a completely new musical genre. And, in the '60s and early '70s, the band achieved remarkable success -- including over 70 million albums sold -- while attempting to fuse the delicacies of symphonic music with the 4/4 thump of rock 'n' roll.

Stranger, though, was The Moody Blues' surprising success in the '80s as a pop band, when singles such as "Wildest Dreams" and "I Know You're Out There Somewhere" topped the American charts.

In anticipation of The Moody Blues' performance tonight at the Verizon Theater in Grand Prairie, singer and guitarist Justin Hayward was kind enough to speak to DC9 about the band's legacy and how its music continues to appeal to new fans.

The Moody Blues have sold more than 70 million albums worldwide. Is it possible to even begin to think of such success in today's musical landscape?
Not now with the Internet and online sales. But back in the '60s, '70s and '80s, when it was really albums being bought off the shelves, it was an astonishing feeling to know that so many people enjoyed your music. They still do, but now in a different way.

There have been various incarnations of the band. Do you still do songs from all the various lineups?
I think we do things from most of the albums from most of the incarnations, down through the years. At the first part of the show, we do some of the newer stuff, and the second part is really the greatest hits -- those songs we couldn't get off stage without playing. We enjoy doing all the songs.

Do you ever do [original member] Denny Laine's "Go Now'?
We did that a couple of months after Denny left the band, but none of us could sing it like he did. Denny took that with him, really. Even when he was with [Paul McCartney and] Wings, he was doing that song. I think he was the voice of that song, and it belonged to him. He sang it better than anybody else.

Is it true that you were recommended to join The Moody Blues by Eric Burden of the Animals?
Yes! I knew someone in Eric's office. Eric was looking for some songs, for song material, and I had a couple of records and demos that he ended up hearing. The call came completely out of the blue. Two days later, I was in The Moody Blues. I already had an amplifier, so I was ahead of the game.

Seeing that it was such an experimental album, were you surprised by the success of Days of Future Passed?
I think we were. It was a slow burner. It was made as a stereo demonstration record and Decca came to us with that idea, since stereo was just then coming into people's homes. But we thought the record would have a limited, kind of arty appeal. Over the years, the record gained momentum. Now, "Nights in White Satin" was a hit straight out of the box, especially in France and the UK. And then "Tuesday Afternoon" was a hit in America. On the strength of those songs, we were brought to American by Bill Graham. The FM signal was just beginning to take shape and become huge, and we came there with our stereo material at the right time.

Do you think of "Nights in White Satin" as an iconic rock song?
The song means a lot to a lot of people. It's a wonderful thing to be able to share it every night. To see people's faces when we do that song -- it's a remarkable thing. I would never want to give up that feeling. We've had people get married in front of us, at gigs, while we are playing that song. They had a preacher at the front of the stage. A lot of people use it at their funerals, as well. I was 19 when I wrote it, so it's almost like it happened to another person. It's a privilege and a pleasure to play that song each night.

Do you still start each show off with "Ride My See Saw"?
We used to alternate between "Question" and "Ride My See Saw," but we just kind of got stuck starting off with the latter.

Does the phrase classical rock annoy you?
No, not at all. People can call it whatever they want. We always followed our own road. We never thought that we were part of any trend or movement. It didn't make any difference to us. I suppose it helps to have some sort of label on it, but we never put one on what we did.

The band took a break in the mid '70s. Did the various members have to get away from one another?
We had started a new album and then aborted it. We had to get our own lives in order. We were all so young when we first started the band, and we had seven years of great success. But all of us had developed lives outside of the group. We needed to take a break. There wasn't a conscious decision. We just didn't make any plans to be together, to record together. When I think back on it, it's probably the reason we are still a band today. We could have stayed together back then maybe a year or two, and we would have broken up. As it was, a couple of guys were thinking about leaving the band at that time. When we got back together a couple of years later to make the Octave album, [keyboardist] Mike Pinder decided that, after all, it wasn't what he wanted to do. It was refreshing that a person would be so honest. It left the four of us ready to continue on.

Some sources claimed that the band was tired of fans stalking them, that some fans were supposedly even seeking cures for illnesses.
That's not true. We've always had a great relationship with our fans. We never rode or recognized our celebrity. It was just really our own personal lives needing to develop outside of the group. We had gone from boys to men, and it was time to grow up and put some roots down.

There seems to be a lot of young people in the audiences these days. What do you think about that?
It does surprise me. The big change for us was in the mid-'80s, when we had a couple of really big hit singles with "Wildest Dreams" and "You're Out There Somewhere." A whole new generation of people came to us. They knew nothing about the band before that. In the years after that, we became a favorite on PBS. We've done a number of live shows for them. I think people have discovered us through that as well. Even for fans that are our own age, it's OK to come back and see us again.

Do you think the fans that discovered The Moody Blues in the '80s were shocked by the material from the '60s and '70s?
I think they were. And it took a while for them to relate to that material, to realize that it was the same band. We find that a lot of the younger people in the audience identify with the stuff that was written when we were young.

The Moody Blues play tonight at the Verizon Theater in Grand Prairie

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I feel bad for whomever writes an article like this they should always consult with a Moodies expert. lol. I probably really freak fanatics out with this one I was listening to them in the crib and grew up thinking knights in white satin. still think of those guys in white satin. I learned when I later bought their albums as a teen.


Hey Peeps! I have for you today a video of The Moodies in concert in London last year: You will see that Graeme is clearly alive and well as he literally boogies on stage to "Higher and Higher". "One foot in the grave" is a crass thing to say about him, as life is sacred. That reminds me of my cousin, "Fast Eddie", who referred to my brother as having "rot up the a$$" (prostate cancer) and he said that I was about ready to "check out" (die). My brother had a prosectomy and is now cancer free and my health is currently fine. It's sad that people can be mean-spirited like that. I guess it takes all kinds. Anyway, back to the video, Justin is doing his always impeccable job as front man and "Voice of The Moody Blues". I'm not detecting any degredation in his vocal abilities nor his exquisite guitar lead abilities with my 45 years experience listening to him. Next, I would like to touch on my flautist friend, Norda Mullen. I am very happy to be included as her personal facebook friend. I appreciate it very much that she finally decided to accept me. I think she is quite the lady. Ray retired at the end of 2002, and Justin hired Norda in 2003. She had to pass an audition with the rest of the band of course being that Ray left very big shoes to be filled. She passed with flying colors. She was trained as a classical flautist and had to adjust to the style of a rock flautist. Justin explains that there aren't very many rock flautists around. He found her in 1996 in California when searching for a flautist to play on his "View From a Hill" solo album. In 2003, he knew just who to call! She also plays harmonica and rythm guitar as well as doing backup vocals. She hasn't written anything like, "Legend of a Mind", but I really like her. I had reservations at first, but she has proven herself well and fits right in. She brings a breath of fresh air into the band. This is taking nothing away from Ray of course! :)In closing, I'll attempt to paraphrase what John says before "Question" at the end of concerts: To all of you who have stayed with us during our musical journey, thank you for keeping the faith. From The Moody Blues, we wish you good health and happines! Remember to keep smiling! We leave you with, Question!

Moody Blues Bud
Moody Blues Bud

Why aren't they in the R'nR Hall of Fame in Cleveland ???


OK, OK, what's passed is passed. I hope we can get passed this.Please forgive my passed errors.


The album is called Days of Future Passed...not Past. Geesh!!

Moody Blues Bud
Moody Blues Bud

Agreed. They end each show for the past 18 years with "Ride my Seesaw". Ever since Red Rocks & PBS.

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